Wednesday, March 27, 2013

THE CHURCH byCARDINAL DANIEL WUERL & MIKE AQUILINA

It is time for a FIRST Wild Card Tour book review! If you wish to join the FIRST blog alliance, just click the button. We are a group of reviewers who tour Christian books. A Wild Card post includes a brief bio of the author and a full chapter from each book toured. The reason it is called a FIRST Wild Card Tour is that you never know if the book will be fiction, non~fiction, for young, or for old...or for somewhere in between! Enjoy your free peek into the book!

You never know when I might play a wild card on you!



Today's Wild Card authors are:

Cardinal Donald Wuerl

AND


and the book:

Image (March 5, 2013)

***Special thanks to Rick Roberson for sending me a review copy.***

ABOUT THE AUTHORS:


DONALD CARDINAL WUERL is the Archbishop of Washington, DC, and the bestselling author of The Catholic Way. He is known nationally for his catechetical and teaching ministry and for his efforts on behalf of Catholic education.


MIKE AQUILINA is the author of over 20 books, including The Mass of the Early Christians and Fire of God's Love:120 Reflections on the Eucharist. He appears regularly on EWTN with Scott Hahn.

Visit the Mike's website.

SHORT BOOK DESCRIPTION:


From the bestselling authors of The Mass, an insightful and practical guide that explores the architectural and spiritual components of the Catholic Church.

Your local church is not only a physical place, but a spiritual home. In this thought-provoking book, Wuerl and Aquilina illuminate the importance of the Church in its many guises and examine the theological ideas behind the physical structure of churches, cathedrals, and basilicas. How is a church designed? What is the function of the altar? What does the nave represent? What is the significance of the choir loft? With eloquent prose and elegant black-and-white photography, these questions and many more will lead to answers that illuminate the history and practicality of Catholic life. CATHOLIC DREAM TEAM: In a pairing that brings together the best of the pastoral and the secular, Cardinal Donald Wuerl, the Archbishop of Washington, DC, is teaming up once again with beloved author Mike Aquilina to bring us a unique vision of one the most important aspects of the Catholic faith.





Product Details:
List Price: $21.99
Hardcover: 240 pages
Publisher: Image (March 5, 2013)
Language: English
ISBN-10: 0770435513
ISBN-13: 978-0770435516



AND NOW...THE FIRST CHAPTER:


L OV E IS T H E BU I L DE R



Catholics love their churches. We build them with love. We make them lovable.


If you visit a remote village in Latin America, the people will be pleased to show you their church—the church that they or their ancestors have raised to the glory of God. Step inside and you’ll find a sanctuary adorned with precious items: skillfully wrought woodwork, stonework, and metalwork, and paintings and statues in the local style. If you linger for Mass, you’ll see a chalice and plate of gold or silver, enhanced perhaps by gems.



The inside of the church may be lavish and rich, while the homes outside are simple and unadorned. And that contrast sometimes shocks people who are visiting from more prosperous lands. It has become a cliché of anti-Catholic prejudice to say that such precious objects would serve a better purpose if they were sold to raise money for food.



The people in the village know better. They know that the money earned from such a sale would feed them for no more than a few days, while the loss would leave them impoverished forever. Without their church—their church—they would be spiritually and culturally destitute. For they’ve built and furnished their church with love, as Catholics everywhere do and always have done.



Such love finds expression in the smallest details of construction and decoration, and in a seemingly infinite variety of styles. You’ll see it in Ethiopia’s ancient churches—carved out of a single massive block of black stone, the size of a small mountain. You’ll see it in Cappadocia’s cave churches—occupied during a time when Christianity was illegal and the faith was forced under- ground (literally). You’ll see it in the play of dark and light in the Gothic cathedrals of the Middle Ages. You’ll find it in the most ordinary suburban churches in the United States.



These churches, in all their diversity, are built according to a common plan, furnished with similar items, and decorated with remarkably standard symbols, scenes, and images. The elements bespeak a love shared by Catholics from all over the world, regardless of language, culture, wealth, or historical period.



Catholics build their churches with love; and our love has a language all its own. Like romance, Christian devotion follows certain customs and conventions—a tradition poetic and courtly—hallowed by millennia of experience.



This book is about that silent language of love. In these pages we’ll examine the structure of a church and its furnishings. We’ll consider the historical and biblical roots of each element in a church, providing basic definitions, and we’ll explain each element’s meaning in the Christian tradition. Why, for example, do churches have spires and bells? Where did we get the custom of using holy water? How does an altar differ from an ordinary table? What are votive candles for?



Every part of a church is rich in meaning and mystery, theology and history. Every furnishing or ornament reveals some important detail of the story of our salvation. Through two millennia, Christians have preserved and developed a tradition of building and decoration. The tradition is supple enough that it could be adapted by local cultures as the Gospel spread to new lands, yet solid enough to protect and preserve the essential heritage received from the Apostles and revealed by God.



If you were making a movie and you wanted your audience to identify an interior immediately as a Catholic church, what would you do? You’d show sunlight streaming through stained glass. You’d angle your camera heavenward, looking upward past monumental statues of the saints. You’d pan across a bank of red votive candles with flickering flames, and then focus on an array of seemingly surreal images: a human heart surrounded by thorns; an eye; a disembodied hand raised in blessing; a painting of a woman standing on a crescent moon; a carving of a dove descending; a lion, an eagle, and an ox, all crowned by similar halos; and a throng of angels.



In the popular imagination, these elements add up to a Catholic identity. But what exactly does each of them mean?



And how do all the elements work together? What’s the sense of the symbols? What are we trying to say through the medium of human body parts and exotic animals? Late in the fourth century Saint Augustine, who would go on to become a builder of churches, wrote: “I know that a truth which the mind understands in just one way can be materially expressed by many different means, and I also know that there are many different ways in which the mind can understand an idea that is outwardly expressed in one way.”



The African saint gives us an important insight for “reading” our churches: One image can convey many layers of meaning, and the same idea can be expressed in manifold ways.

Everything we see in a Catholic church is there for a single purpose: to tell a love story. It is a story as old as the world, and it involves the whole of creation, the vast expanse of history, and every human being who ever lived. It involves Almighty God, and it involves you.



Art and architecture are means of communication. Our churches speak of something remote, beyond the reach of human sciences—what Dante called “the Love that moves the sun and the other stars.” But our churches speak also to something deep inside us—in our souls and in our senses—because, as Dante added, the same Love that moves the cosmos also moves “my desire and my will.”

To understand our churches is to begin to understand a love at once unmistakably divine and profoundly human, faraway and yet intimate. When we begin to understand that love, it begins to light up our view of our churches and their symbols.



The love story appears in compressed, poetic form in the Gospel according to Saint John.



In the beginning was the Word, and the Word was with God, and the Word was God. He was in the beginning with God; all things were made through him, and without him was not anything made that was made. In him was life, and the life was the light of men. The light shines in the dark- ness, and the darkness has not overcome it. . . .



The true light that enlightens every man was coming into the world. He was in the world, and the world was made through him, yet the world knew him not. He came to his own home, and his own people received him not. But to all who received him, who believed in his name, he gave power to become children of God; who were born, not of blood nor of the will of the flesh nor of the will of man, but of God.



And the Word became flesh and dwelt among us, full of grace and truth; we have beheld his glory, glory as of the only-begotten Son from the Father. . . .



For God so loved the world that he gave his only-begotten Son, that whoever believes in him should not perish but have eternal life. ( John 1:1– 5, 9–14; 3:16)



John begins his Gospel by describing a God of awe- some power, remote in space and transcending time: a Spirit, a Word. This is the God whom even the pagan philosophers knew: the Prime Mover, the One. Yet, precisely where the pagan philosophers stalled, John’s drama proceeds to a remarkable climax: “And the Word became flesh and dwelt among us.”



From beyond the distant heavens, existing before the beginning of time, God himself broke into history, took on flesh, and made his dwelling—literally, “pitched his tent”—among his people. Yes, God is eternally the Word, but a word is elusive, and not everyone may grasp it.



God, who reigns in heaven, and who transcends all creation and all time, assumed the life of an ordinary la- borer, who could be seen and heard and touched. God transformed all creation by his healing touch. He took up residence among his people.



The early Christians said that when Jesus descended into the river Jordan he sanctified—made holy—all the waters of the earth, commissioning them for the task of baptism. In his mother’s womb he sanctified motherhood. At a family table, God handled ordinary food and made it to signify an otherwise unimaginable heavenly banquet. He wandered in the desert and traveled in boats and visited towns and cities. In doing all this, he blessed creation and hallowed it as a sign of his own eternal life.



Every Catholic church is built to tell this story, the story of how “God so loved the world.” Every church is built to dispense the life-giving water and magnify the light that shines in the darkness. Every church serves the heavenly banquet at its family table: the altar. Every church is built as a memorial of God’s sojourn among his people—and of his people’s rejection of him. Front and center we keep the crucifix.

Our churches tell a love story, and they bring us salvation, and so we love them all the more. So much of Catholic identity is built into the houses we build for worship. Everything about our churches, inside and out, is a unique material token of the most profound spiritual love. Jesus has spiritualized the world, but he has done it by putting flesh on pure Spirit. That reality is reflected on the walls of every Catholic church.



Saint John of Damascus, writing in eighth-century Syria, pondered the things in his church and was moved, he said, to “worship the God of matter, who became matter for my sake, and willed to make his dwelling in matter, and who worked out my salvation through matter. I will not cease from honoring the matter that works my salvation. . . . Through matter, filled with divine power and grace, my salvation has come to me.”



Theologians call this the “sacramental principle.” Other authors, speaking colloquially, refer to it simply as “the Catholic Thing.” That’s how closely a Catholic’s spiritual identity is tied to these material realities.



The sacramental principle tells us that, since the Word became flesh, God has begun to heal and restore his creation. Spiritual light can now shine through the material world. Because of the touch of Jesus Christ, matter can now convey God’s grace. On one level, bread and wine; on another, oil, candles, fabrics and paint, bricks, blocks, and filigree—all these can mediate God’s presence in the world.



Jesus’s disciples, still today, can sense the dramatic effects of the Incarnation. With the poet Gerard Manley Hopkins we can look upon a world “charged with the grandeur of God”—and we can reflect that grandeur through the material objects and symbols present in our churches.



Reflecting God’s grandeur is something we are drawn to do. It fulfills a need we have as Christians who have been redeemed. We want to praise and thank the Lord who has saved us. But it also fulfills a basic need we have as human beings; for the God who redeemed us is the God who created us, and he designed us to love beauty, to find delight in it, and to make beautiful things that tell us of the greater beauty of divine glory.



Christians need churches. It is said that for centuries the Benedictine order forbade the founding of a new monastery until the group of founders included a monk who could make bricks—and another who was trained in turning those bricks into church walls, raised according to the ancient models. From generation to generation they passed on the tradition of beauty, love, and wisdom that they had received, a tradition that libraries could not contain, yet one that we’ll try to survey with you in the chapters that follow.



Our Review: Every Catholic, if not every Christian, should read this book. In this day of modernistic buildings that could just as easily be a Rec. Center as a Church, this wonderful book serves to remind us of the story within the story. The Churches of old were built to a model, an underlying theme that expressed a love of God in brick and mortar, paint and plaster. Every part of the structure became an integral piece of the whole and served to re-inforce the worship experience by elevating the mundane to a higher purpose. This is why Churches were laid out as a cross, and why they had stained glass windows and all the other things that tells us we have entered God's domain. I encourage everyone to read this book thoughfully. In so doing, perhaps we can recapture some of what was left behind a generation or two ago in our rush to embrace the future. Very enjoyable reading. Highly recommended.

Nick Vujicic's New Son, Kiyoshi James Vujicic

Since we reviewed Nick Vujicic's books, Life Without Limits and Unstoppable, we thought you might be interested to see his new baby son, Kiyoshi James Vujicic. Blessings to Nick and his sweet family.
 






Peace and Blessings to All.

Monday, March 25, 2013

SO SHINES THE NIGHT by TRACY L HIGLEY

It is time for a FIRST Wild Card Tour book review! If you wish to join the FIRST blog alliance, just click the button. We are a group of reviewers who tour Christian books. A Wild Card post includes a brief bio of the author and a full chapter from each book toured. The reason it is called a FIRST Wild Card Tour is that you never know if the book will be fiction, non~fiction, for young, or for old...or for somewhere in between! Enjoy your free peek into the book!

You never know when I might play a wild card on you!



Today's Wild Card author is:


and the book:

Thomas Nelson (March 12, 2013)

***Special thanks to Tracy L. Higley for sending me a review copy.***

ABOUT THE AUTHOR:

Tracy L. Higley started her first novel at the age of eight and has been hooked on writing ever since. She has authored nine novels, including Garden of Madness and Isle of Shadows. Tracy is currently pursuing a graduate degree in Ancient History and has traveled through Greece, Turkey, Egypt, Israel, Jordan and Italy, researching her novels and falling into adventures. See her travel journals and more at TracyHigley.com


SHORT BOOK DESCRIPTION:


On an island teetering at the brink of anarchy, Daria finds hope among people of The Way.

She escaped a past of danger and found respite in beautiful Ephesus, a trading center on the Aegean coast, serving as tutor to Lucas, the wealthy merchant who rescued her.

But the darkness she fled has caught up with her.

The high priests of Artemis once controlled the city, but a group of sorcerers are gaining power. And a strange group who call themselves followers of The Way further threaten the equilibrium. As Daria investigates Lucas’s exploits into the darker side of the city, her life is endangered, and she takes refuge in the strange group of believers. She’s drawn to Paul and his friends, even as she wrestles with their teachings.

When authorities imprison Lucas for a brutal crime, Daria wonders if even Paul’s God can save him. Then she uncovers a shocking secret that could change everything—Lucas’s fate, her position in his household, and the outcome of the tension between pagans and Christians. But only if she survives long enough to divulge what she knows.

“Meticulously-researched, spellbindingly written with luscious prose and compelling and complex characters.” —Tosca Lee, New York Times best-selling author of Havah: The Story of Eve




Product Details:
List Price: $15.99
Paperback: 416 pages
Publisher: Thomas Nelson (March 12, 2013)
Language: English
ISBN-10: 1401686826
ISBN-13: 978-1401686826


SUMMIT BOOK REVIEW:
After reading and enjoying Tracy L. Higley’s Garden of Madness and her Isle of Shadow, I was eager to read So Shines the Night. It did not disappoint. She has the ability to bring historic places to life with her vivid description. Well done, Ms. Higley! — Gail Lewis

 
AND NOW...THE FIRST CHAPTER:


Prologue



I am an old man, and I have seen too much.

Too much of this world to endure any more. Too much of the next to want to linger.

And though I have nearly drowned in the glorious visions of those last days, yet I know not when it shall come, nor how many years I must tread this barren earth before all is made new.

There is a Story, you see. And we are still in the midst of it, ever striving to play our roles, battling on for the freedom of hearts and souls and minds yet enslaved by darkness.

But I have seen a great light. Oh yes, I have seen it. Even now it is breaking through, as it did on that grassy hillside so many cool spring mornings ago, when Moses and Elijah walked among us and my Brother shone with the glory He had been given from the beginning and will rise up to claim again at the end.

You will wonder, perhaps, at my calling Him brother. And yet that is what He was to me. Brother and friend, before Savior, before Lord. In those days when we wandered the land, going up and down from the Holy City, we shared our hearts, our lives, our laughter. Oh, how we laughed, He and I! He had the irrepressible joy of one who sees beyond the brokenness, to the restoration of all.

I loved him. And He loved me.

But I speak of beginnings and of endings, and these are words that have no meaning, for the day of His birth was both the beginning of the Kingdom and the end of tyranny, and that magnificent Day yet to come—it is the end-which-is-a-beginning, and my eyes have seen such glory in that New Jerusalem, my very heart breaks to tell of it.

And yet they come, young and old, to this tiny home in Ephesus that is to be my last dwelling outside that New City, and they beg me to tell the Story again and again.

And I do.

I tell of seals and scrolls, of a dragon and a beast and a Lamb. Of music that makes you weep to hear it and streets that blind the mortal eye. Of a Rider on a White Horse with eyes of blazing fire, whose name is Faithful and True. It is a great Story, and greater still to hear the final consummation of it, for how often we forget that we are living it still.

But I have another tale to tell. A smaller story within the One True Story that began before the creation of this world and is echoed at its end, as all our stories are. It happens here, in this port city of Ephesus but many years ago, when the darkness lay even heavier than it now does upon the people, and their souls cried out for relief from anyone who could give it.

This smaller story does not begin here in Ephesus, however. It begins a day’s sail away, on the sun-kissed shores of the Isle of Rhodes, where the light first began to break upon one woman and one man, even as they walked in darkness . . .



Chapter 1



Rhodes, AD 57



In the glare of the island morning sun, the sea blazed diamond-bright and hard as crystal, erratic flashes spattering light across Daria’s swift departure from the house of her angry employer.

She carried all she owned in one oversized leather pouch, slung over her shoulder. The pouch was not heavy. A few worn tunics and robes, her precious copy of Thucydides. She clutched it to her side and put her other hand to the gold comb pinning the dark waves of her hair, her one remaining luxury.

The bitter and familiar taste of regret chased her from the whitewashed hillside estate, down into the squalid harbor district. Why had she not kept silent?

Along the docks hungry gulls shrieked over fishy finds and work-worn sailors traded shrill insults. The restless slap of the sea against the hulls of boats kept time with the anxious rhythm of her steps against the cracked gray stones of the quay.

She had run once, haunted and guilty to a fresh start in Rhodes. Could she do it again? Find a way to take care of herself, to survive?

“Mistress Daria!”

The voice at her back was young and demanding, the tenor of a girl accustomed to a world arranged to her liking. And yet still precious, still malleable.

“Mistress! Where are you going?”

Daria slowed, eyes closed against the pain, and inhaled. She turned on the sun-warmed dock with a heaviness that pulled at her limbs like a retreating tide.

Corinna’s breath came quick with exertion and the white linen of her morning robe clung to her body. The sweet girl must have run all the way.

“To the School of Adelphos, Corinna. I will seek a position there.”

Corinna closed the distance between them and caught Daria’s hand in her own. Her wide eyes and full lips bespoke innocence. “But you cannot! Surely, Father did not mean what he said—”

Daria squeezed the girl’s eager fingers. “It is time. Besides”—she tipped Corinna’s chin back—“you have learned your lessons so well, perhaps you no longer need the services of a tutor.”

Corinna pulled away, dark eyes flashing and voice raised. “You do not believe that, mistress. It is you who says there is always more to learn.”

They drew the attention of several young dockworkers hauling cargo from ship to shore. Daria stared them down until they turned away, then circled the girl’s shoulders, pulled her close, and put her lips to Corinna’s ear. “Yes, you must never stop learning, dear girl. But it must be someone else who teaches you—”

“But why? What did you say to anger Father so greatly?”

Only what she thought was right. What must be said. A few strong phrases meant to rescue Corinna from a future under the thumb of a husband who would surely abuse her.

Daria smiled, fighting the sadness welling in her chest, and continued her trudge along the dock toward the school. “I am afraid discretion is one of the things I have not yet learned, Corinna. Your father is a proud man. He will not brook a mere servant giving him direction in the running of his household.”

Corinna stopped abruptly at the water’s edge, her pretty face turned to a scowl. “You are no mere servant! You are the most learned tutor I have ever had!”

Daria laughed and looked over the sea as she walked, at the skiffs and sails tied to iron cleats along the stone, easy transportation to the massive barges that floated in the blue harbor, awaiting trade. Papyrus and wool from Egypt, green jade and aromatic spices from far eastern shores, nuts and fruits and oils from Arabia. Her eyes strayed beyond the ships, followed northward along the rocky Anatolian coast to cities unknown, riddles to be unraveled, secrets and knowledge to be unlocked. More to learn, always. And somewhere perhaps, the key to redeeming the past.

They approached and skirted the strange symbol of the isle of Rhodes, the toppled Helios that once stood so proud and aloof along the harbor and now lay humbled, its bronze shell speckled to an aged green, reflecting the impenetrable turquoise sky. The massive statue had lain at the quay for gulls to peck and children to climb for nearly three hundred years since the quake brought it down. Daria found it disturbing.

“May I still visit you at the school, Mistress Daria?”

She smiled. “One challenge at a time. First I must convince Adelphos that he should hire me.”

Corinna’s tiny sandals scurried to keep pace. “Why would he not?”

“It is not easy to be an educated woman in a man’s world of philosophy and rhetoric. There are few men who appreciate such a woman.”

“How could anyone not appreciate someone as good, as brave, as you?”

The child gave her too much credit. She was neither good, nor brave. She would not be here in Rhodes if she were. Though she was trying. The gods knew, she had been trying.

Corinna lifted her chin with a frown in the direction of the school. “I shall simply explain to Adelphos how very valuable you are.”

And how outspoken? Interfering? But perhaps the girl could help in some way.

“Will you demonstrate some of what I have taught you, Corinna?”

The girl’s eyes lit up. “Just wait, mistress. I shall amaze and delight that crusty old Adelphos.”

Daria studied the impetuous girl and bit her lip. But it was a chance she must take.

The School of Adelphos lay at the end of the docks, its modest door deceptive. Daria paused outside, her hand skimming the rough wood, and inhaled determination in the sharp tang of salt and fish on the breeze. Who would believe that such distinguished men as the poet Apollonius and Attalus the astronomer had studied and written and debated behind this door? Sea trade had kept Rhodes prosperous for centuries, but in the two hundred years under Roman control, the Greek island had grown only more beautiful, a stronghold of learning, of arts and sciences and philosophy.

Inside its most famous school, she blinked twice and waited for her sun-blind eyes to adjust.

“Daria!” Adelphos emerged from the shadows of the antechamber with a cool smile and tilt of his head. Tall and broad-shouldered, he was several years her senior, with the confident ease of an athlete, a man aware of his own attractiveness.

She returned the smile and straightened her back. “Adelphos. Looking well, I am pleased to see.”

He ran a gaze down the length of her, taking in her thin white tunic and the pale blue mantle that was the best of her lot. “As are you.”

“I have come to make you an offer.”

At this, his eyebrows and the corner of his mouth lifted in amusement and he gave a glance to Corinna, still at the door. “Shouldn’t we send your young charge home first?”

She ignored the innuendo. “My employ as Corinna’s tutor will soon come to an end, and I desire to find a place here, in your school. As a teacher.” She swallowed against the nervous clutch of her throat.

Again the lifted eyebrows, but Adelphos said nothing, only strolled into the lofty main hall of the school, a cavernous marble room already scattered with scholars and philosophers, hushed with the echoes of great minds.

She gritted her teeth against the condescension and beckoned Corinna to follow, with a warning glance to keep the girl quiet, but the child’s sudden intake of breath at the fluted columns and curvilinear architraves snapped unwanted attention in their direction, the frowns of men annoyed by disruptive women.

Adelphos disappeared into the alcove that housed the school’s precious stock of scrolls—scrolls Daria had often perused at her leisure and his generosity.

Daria spoke to his back. “Do you doubt my abilities—”

“What I doubt, my lady, is a rich man’s willingness to pay a woman to teach his sons.”

Daria waved a hand. “Bah! What difference does it make? I can do a man’s work just as well. And if they learn, they learn!” But a cold fear knotted in her belly.

Adelphos traced his fingertips over the countless nooks of scrolls, as if he could find the one he sought simply by touching its ragged edge. “And you, Daria? Do you want to live a man’s life as well as do a man’s work? What woman does not long for love and family and hearth?”

Her throat tightened at his words, too close to the secrets of her heart. Yes, she longed for those comforts. For a love that would accept her abilities, complement rather than suppress. But for now, for now she had no one and she must assure her own welfare.

She coughed to clear the dryness of her throat and stepped beside him, examined the great works of philosophy and literature, their tan Egyptian papyri wrapped in brown twine, sealed in waxy red.

Adelphos reached past her to a nook above her head, and his muscled arm brushed her shoulder.

The touch was intentional, clearly. Manipulative. Even so, his nearness left her breathless and her usual sharp-tongued wit failed. When she spoke, it was a harsh whisper, too raw with emotion, though the words emerged falsely casual. “And why should I not have both?”

At this, Adelphos huffed, a derisive little laugh, and turned to lean his back against the shelves and unroll the scroll he had retrieved.

“A woman of ambition. Does such a breed truly exist?” His gaze darted to hers. “But what am I saying? You have already wedded a husband, have you not?”

Daria pulled a scroll from its recess and pretended to study it.

“You are interested in the work of Pythagoras? That one is newly arrived from Samos.”

Daria shrugged. “I find his work repetitive. What new has he added to Euclid’s previous efforts?”

“Indeed.” Adelphos pulled the scroll from her hands and replaced it in its nook. “But you have not answered my question.”

“I am a widow, yes.”

“A widow with no sons. No dowry.” He glanced at Corinna, clutching the doorway. “And no employment. Is there anything more desperate?”

Daria lifted her chin and met his gaze. “It seems you are in an enviable position, then, Adelphos. You have found a skilled teacher, available for a bargain.”

Adelphos circled to Corinna, an appreciative gaze lingering on her youth and beauty. “And this is your prize specimen? The pupil of whom I have heard such wonders?”

The girl straightened and faced Adelphos with a confidence borne of knowledge. “Shall I demonstrate the superior skill Mistress Daria has given me with languages?”

Daria silently cheered and blessed the girl. “Corinna has been working hard to master the tongues of Rome’s far-flung empire.”

Adelphos’s brow creased and he opened his lips as if to speak, then sealed them and nodded once. No doubt he wanted to ask what use there might be for a girl who could speak anything but common Greek. As Daria herself was such a girl, the implicit question struck a nerve. She turned a shoulder to Adelphos and nodded encouragement to Corinna. “Let us hear Herodotus in the Classical first, then.”

The girl grinned, then gushed a passage of Herodotus in the proud language of her Greek forebears, the language of literature and poetry, before Alexander had rampaged the world and equalized them all with his common koine.

“And now in Latin, Corinna.”

The girl repeated the passage, this time in the tongue of the Romans, the new conquerors.

Adelphos tilted his head to study the girl, then spoke to her in Latin. “Anyone can memorize a famous passage in a foreign tongue. Few can converse in it.”

Corinna’s eyelashes fluttered and she glanced at her hands, twisted at her waist. When she answered, it was not in Latin, but in Persian. “Fewer still can converse in multiple languages at once, my lord.”

Adelphos chuckled, then glanced at Daria. “She does you proud, lady.”

A glow of pride, almost motherly, warmed Daria’s chest. “Indeed.”

Corinna reached out and gripped Adelphos’s arm, bare beneath his gleaming white tunic. “Oh, it is all Mistress Daria’s fine teaching, I assure you, my lord. I wish to be an independent woman such as she someday. There is nothing she cannot do.”

“Corinna.” Daria smiled at the girl but gave a tiny shake of her head.

Corinna withdrew her hand and lowered her eyes once more. “I have told my father this, but he does not understand—”

“Her father has been most pleased with her progress.” Daria tried to draw Adelphos’s attention. “He saw a superior mind there from an early age and was eager to see it developed.”

He waved a hand in the air. “I have seen enough. You may go.”

Thursday, March 7, 2013

MEDICINES THAT KILL by JAMES L. MARCUM, MD

 
This is not a dry, clinical book. It’s easy to read and entertaining as well as informative. Whatever you thought was dangerous about prescription or over- the-counter drugs, multiply that at least a hundred fold. Expect to be shocked.
 
Dr. Marcum fills this book with true-life stories of drug interactions gone bad. More importantly, however, he gives warnings that all of us should pay attention to. He shines a light on the highly profitable pharmaceutical business that is in a hurry to mainstream drugs, very often before their potential side effects are adequately documented. He also discusses many of the more commonly prescribed medications that have been on the market for decades, yet still carry high risks. He points out that the number one cause of death in this country is actually medications.
 
Ultimately, in Medicines That Kill, Dr. Marcum examines some of the most commonly prescribed drugs and offers healthful ways to get off them. He discusses what harms our health the most: anger, stress, inactivity, being overweight, smoking. He could have ended his book there and it would have been highly successful.
 
Yet, he bravely goes farther and openly the talks about the best solution to obtaining good health. It is Love. Especially love of God. The Bible holds the key to this understanding. To quote the author, “…by understanding the important connection between who we are (God’s created children) and how we are to live (a lifestyle designed by that same God), we can open the door to some incredible insights.” He goes on to discuss the “Laws of Health.”
 
I highly recommend this book to everyone. I, for one, am going to try to laugh more often, love more freely, limit my use of pain relievers, continue to exercise and lose weight in order to throw away my high blood pressure medicine, and nurture an attitude of gratitude.
 
We thank Tyndale House Publishers for providing us with a review copy in exchange for an honest review. —Gail Lewis
Format: Paperback, 256 pages
Publisher: Tyndale House Publishers; 1 edition (January 17, 2013)
Language: English
ISBN-13: 978-1414368856